The Locrian mode is the only modern diatonic mode in which the tonic triad is a diminished chord, which is considered dissonant. In this lesson, you’ll learn what the modes are, how they look on the guitar and how you can use modes in your solos and improvisation. Guitar Theory: Kindle or Paperback. Through its multitude of flattened notes,  it is the darkest mode that exists naturally from the major scale. As I’ve mentioned a variety of times above, the Locrian mode isn’t something you stick to rigidly. We may link to products if we deem helpful to the reader. The fourth is the only non-flattened interval in the scale and a lot of music reaches its end-point via a IV-I cadence- try that here. So, you have to know that a half-diminished arpeggios can be used to highlight the ninth (9) of a dominant 7th chord. In most situations, the Locrian can be harnessed for its ability to create incredible darkness and dissonance. In this important guide, I’ll be explaining how you can use the Locrian mode within your guitar playing. Even if the Locrian mode sounds like a terrifying, unusable prospect, one of the best things it can provide you is a wealth of dissonances. You’ll almost never see it in use, but that doesn’t mean it isn’t incredibly effective. This PDF method contains 11 guitar lessons with chord studies, tabs, standard notation, analysis & audio files about the main blues progressions used in jazz music. While pretty much every mode has a tritone somewhere, very few of them include the tritone above the tonic, and none of them replace the fifth above the tonic with its diminished brother. +2000 Guitar Backing Tracks organized by style, scale/mode, key & tempo. Printable PDF eBook method containing 40 major jazz guitar licks with tab, standard notation and audio files for beginners and intermediates. The easiest way to confirm any key is via a perfect cadence (V-I), but that doesn’t really exist here, as the chord V is naturally flattened and would never sound final. You’ll need to remember the interval pattern of the Locrian mode: Semitone, Tone, Tone, Semitone, Tone, Tone, Tone. Bar one : D descending Locrian mode (D-Eb-F-G-Ab-Bb-C) with a passing tone (A). You’ve got a Cdimm7b9 chord (C-Eb-Gb-Bb-Db). In the fretboard pattern, the first root note is on the 6th string, 10th fret. Engage with some of its related scales. For example, let's take a D minor seventh (Dm7) chord built with D, F, A and C respectively root (1), minor third (b3), perfect fifth (5) and minor seventh (b7). Basically, if you click on a product link on this site and buy that product we get a small commission at no extra cost to you. If you’ve got a chord sequence that happens to lurk around a Locrian sound, then great, but just be aware that the likelihood of it working consistently throughout an entire song is very small. This jazz guitar method is an eBook available as a PDF with standard notation, guitar tabs, diagrams, analysis, audio files and backing tracks. If you’re on the lookout for a way to spice up your melodies, chords and improvisation look no further than this useful guide. Music theory can be complicated but we need to know it if we want to make sense of everything and improve our guitar knowledge and playing. Remember, however, that your tonic triad is diminished naturally. For a better understanding of this mode, it is recommended to play these patterns starting with the root note (R). E Locrian scale for guitar. One way to look at modes is to imagine a piano. Modes From The Harmonic Minor Scale. The B Locrian is a seven-note scale, it is also called a mode. Replace that with a shimmering, crunchy diminished chord and everything makes a lot more sense. Maybe just don’t attempt to resolve anything? Similarly, the idea of film scoring is something it is easy to return to with the Locrian mode. You will find in this booklet 25 easy jazz guitar lines with theory using common and rare pentatonic scales. These can be described as steps on the guitar fingerboard according to the following formula: half, whole, whole, half, whole, whole, whole from the first note to the same in the next octave. Learn music theory that's worth knowing. They want to create the heaviest, most aggressive sound possible, and leaving their tonic chord diminished is going to do exactly that. C Locrian Positions C Locrian Notes: Full Fretboard. This might actually be the most common way the Locrian scale is used, as composers will write just a very small section of a work in the mode before moving back away from it. It has a particular sound because of the b2, b3, b5, b6 and b7. The major equivalent of this is simply Cmaj9 (C-E-G-B-D), which is dissonant but in a very different way. It has the minor third to kick things off, but the minor sixth, minor second and diminished fifth basically means it covers darkness from every possible angle. Metal music in particular is known for its overt use of minor second intervals, as they give off the feeling of aggression and power than many of the heaviest subgenres aim to bring to the foreground. Entdecken Sie Locrian Mode Backing Tracks in all 12 keys von Guitar Backing Tracks bei Amazon Music. Now remember that there is a minor scale equivalent (so the equivalent of having the same approach, but with the C minor scale as your basis), and a harmonic minor scale equivalent, and melodic minor, and all of the modes, and all of their variants. In the fretboard pattern, the first root note is on the 6th string, 12th fret. Locrian Mode and Diminished triad Chord - Audio file. Locrian #6 Guitar Scale - Locrian #6 guitar scale: learn fingering, notes and tones that compose this scale. Then move by one semitone to include that tritone Bb. The theory can be a bit confusing, but once you get a hold of the basic concepts, it’s actually quite easy to use modes on the guitar. The thing with the Locrian mode is that it is weird. The chord it is played over is unresolved. You could be playing in the darkest Locrian mode in the world, but if a chord that is typically associated to the Dorian mode sounds correct as your next chord, then slot it right in. I have a lesson on Altered Harmony which will explain it properly - it's a big deal - check it out!. The tone of your playing will be creepy and mysterious, and if you’re playing with some heavy distortion, it can sound truly aggressive. The sixth of D is B which can also be named thirteenth (13). Claude Debussy- Jeux. Obviously, this is the enharmonic equivalent of C major, so the notes are exactly the same; it’s the way you use the scale that changes things. This printable method is available as a PDF file containing 40 easy dominant jazz-blues guitar lines with tabs, standard notation, analysis, audio files and scale charts. The one way that has the most chance of being able to make your Locrian tonal centre sound final is through the use of chord IV. While the diminished tonic chord isn’t going to sound final or ‘normal’ in a pop song, there are a million ways you can use it for effect without accessibility in mind. If you’re using the Locrian in the first place, you probably want instability. This jazz guitar method about walking bass lines and chords is available as a PDF files containing 35 exercises with tabs, analysis and audio files. Understanding guitar modes isn’t as hard as many people believe it to be. Start Here Guitar Ebooks Guitar Apps Lessons Courses Chords Chart Scales Tabs Gear About Search Contacts ☰ Guitar Scales. For example, if you’re starting on C and want to play the Eb Locrian, then you need to move every note up by a minor 3rd. The Locrian mode is particularly helpful in composition to some sort of dramatic source; imagine you’re scoring a horror film. For example, an extreme metal song. It simply sounds weird most of the time. You will find here an eBook available in PDF containing 25 soul jazz and hard bop guitar licks in the style of Grant Green, Melvin Sparks, George Benson. These jazz lines come with tabs, standard notation, guitar neck diagrams, backing track for practice and 25 audio files for each riff. Another common jazz trick is to apply a half diminished arpeggio to a minor seventh chord starting on the third of this chord. Throwing in that opening minor 2nd can really set the tone for your solo, and leaving things open ended by using a tritone in place of the fifth in your scale will give you the edge to stand out. The first is based on which chords you should avoid. The one thing that the Locrian can lend itself very well to without sounding completely manic and out of place is jazz improvisation. This eBook PDF with audio files contains 25 dominant diminished jazz guitar patterns using the half-whole diminished scale and diminished 7th arpeggios. Interestingly, the Locrian mode isn’t typically the type of mode you’d harmonise with rigid commitment to the mode, you’d borrow (which we’ll get to in a moment) frequently. You’d very rarely see the notes of the mode written out in a key signature, but they’re basically the same thing, just with more possibilities. As suggested above, the only way to truly give the tonic in the Locrian mode a feeling of finality is to just take the diminished interval out altogether. Again the best way to demonstrate the theory is to look at some examples. As mentioned above, the use of this interval is going to give off an idea of stability that an audience can’t associate to a major or a minor scale, so they’ll know something else is going on tonally. The Locrian mode is based off of the 7th scale degree of any major scale. This means that a B Locrian scale is B, C D, E, F, G, A. Reflecting the sequence H-W-W-H-W-W-W we get the Locrian scale in all the 12 keys. Of course, beyond the wealth of additions you can make to the tonic chord, there are a variety of natural dissonances lurking around the mode. The Locrian mode is, in its purest form, the white notes from B-B. Learn music theory that's worth knowing. The last one belongs to the Bebop scales family. The use of the Locrian (no matter which way you use it) is always going to support the idea of darkness, tension and horror. This PDF eBook method contains 25 altered jazz guitar licks with tabs, patterns, scale charts and audio files to master, apply and develop the altered scale. It is similar to the natural minor scale except for the lowered second and fifth. This package contains a guitar method available as a PDF with tabs, audio files and theory providing 40 dominant jazz guitar lines for teachers and students. Ionian), in the same diatonic key. TABS, SCALE MAPS + LESSONS http://www.patreon.com/QuistJam Here's a jam track for improvising on the awesome dark sounding B Locrian Mode.. The G Locrian is a seven-note scale, it is also called a mode. The Locrian scale is the minor scale that appears when a major scale is played with the seventh note (seventh scale-degree) as the root. So now you just have to play a B half diminished arpeggio, which is B, D, F and A. Imagine a horror film jump scare that plays a nice, resolving cadence; it wouldn’t work. The most important notes in the B Locrian scale are: While looking at the Locrian mode in its most simple formulation gives us the simplicity of the B, C, E, E, F, G, A scale mentioned above, it isn’t as though the Locrian mode can’t be moved to every single other note. The biggest takeaway points about the Locrian are: Subscribe to our newsletter to receive regular updates. Once you are a bit more familiar with the Locrian mode on bass guitar, try using it to improvise over a fitting progression. Guitar Theory available from Amazon. If it goes to a C, you are not really playing in B locrian, but C Ionian, since that is where the harmony is going. If you have a little moment of chromatic genius using it, then great, but trying to figure out a way to remain Locrian afterwards just isn’t going to help what you’re going for. Attempting to resolve to a chord with a tritone in it isn’t a resolution, it just sets up another movement to a different chord that wants to resolve. Now you can use this anywhere you want. The easiest (but longest) way to do this is to simply look at the notes, and move every single one of them up by the amount necessary to reach the new tonic. The Locrian mode is usually played over minor seventh flat ninth chords (m7 b 5), in a minor II-V-I sequence for example. Today, we’re looking at the Locrian mode (which we’ll get to in a moment) but there are hundreds more modes in existence. As such, you can make use of modal borrowing. Each scale consists of a root (1), minor second (b2) or flat ninth (b9), minor third (b3), fourth (4) / eleventh (11), diminished fifth (b5), minor sixth (b6) / flat thirteenth (b13) and minor seventh (b7). The Locrian scale, or mode, is the seventh of the seven musical modes. Copyright © 2015 - 2020 - Jazz Guitar Licks - All rights reserved. One important thing to remember about the Locrian mode is how rare it is. Music theory can be complicated but we need to know it if we want to make sense of everything and improve our guitar knowledge and playing. You’ve probably become rather used to standard major and minor scales, but were you aware of the basically endless possibilities modes afford you? To create the E Locrian scale, for example, start with that movement of one semitone: E – F. Then add two tones to take you to G and A. The four guitar shapes show how you can play the Locrian scale starting on the sixth, fifth, fourth or third string. This giant printed color poster contains 63 guitar chord diagrams for jazz players, students, teachers and schools. In this lesson David Wallimann explains the formula for the Locrian mode and teaches the primary position / pattern in which it can be played. Now you have tackled the one octave shapes, you can practice the following two octave shapes. Locrian Mode Jazz Play-along With Guitar Scale Diagram. We’ll now focus the rest of this guide around the C Locrian mode for simplicity, but remember that it can be moved to any note you need via transposition. Suppose we want to play C Locrian. In the fretboard pattern, the first root note is on the 6th string, 3rd fret. The Locrian mode produces a diminished triad and a half-diminished arpeggio. To practice the Locrian mode in different keys, you just have to move the root (R) to the desired tonality  keeping the same intervals. While there are many notes you can use to suggest to your listener that you’re using the Locrian mode, none of them are going to confirm it with as much clarity as the tritone. Locrian Mode for Guitar The Locrian Mode is an interesting scale that can add drama to your playing. The parallel approach involves playing the desired mode by altering the existing notes of a certain major scale. This means the C Locrian is made up of the notes C, Db, Eb, F, Gb, Ab, Bb. This track opens with the guitars each using the Locrian mode (focusing in on those minor second and diminished fifth intervals for extra intensity), but this use of tonality is used within a 25/16 time signature against the 4/4 of the drum kit. As such, you can have your major and minor keys and be diatonic to them (that is, stay within them when playing), but you can’t really use the term diatonic to refer to a mode. For now, you just need to worry about the Locrian mode. You could borrow the diminished chord V (Gb-Bb-Db) from the Locrian mode, and move straight back to C major. One of the most interesting is the simplicity of the dissonance on chord VII (normally the most volatile chord in any scale). If you aren’t making sure that darkness is the main thing you’re trying to convey in your use of the Locrian then you’re doing it wrong, because you pretty much can’t get brightness out of it. The seventh mode of the Melodic Minor Scale is called the Super Locrian mode but it's better known and The Altered Scale. The D Locrian is a seven-note scale, it is also called a mode. The very presence of a tritone is always, without fail, going to sound dissonant. Taking the above into account, don’t attempt to use the diminished tonic chord with a consonant sound in mind, because it simply won’t work. A mode is, to all intents and purposes, however, basically the same as a key. Either way you think about it the notes are still the same. This package contains 3 PDF methods for jazz guitarists with tabs, audio files, analysis about the II V I progression. The presence of the minor second is just about as important as the tritone. We can start with the C Locrian mode, which brings the D Locrian down by a major second. Diminished triads consist of root (1) and minor third (b3) and a diminished fifth (b5). For example, the tonic triad of B Locrian is made from the notes B, D, F. The root is B … Modes of the Harmonic Minor Scale In this context, we will not play the whole B Locrian scale over the Dm7 chord, but only a B half diminished arpeggio. Guitar Theory: Kindle or Paperback. The Locrian mode is the seventh mode of the major scale. Complexity and heaviness from every angle is the most Meshuggah-esque approach possible. It’s incredibly hard to write an entire piece in which the harmony is exclusively derived from the mode, but there are a variety of very cool chords within that can be plucked out an used elsewhere. For example, you can play a E half-diminished arpeggio (E-G-Bb-D) over a C dominant seventh chord (C7) starting from its third. This guitar method is a printable PDF with tabs, diagrams, theory and audio files providing 40 minor II V I jazz licks. A descent from the fourth to the minor third to the tonic is a normal movement that implies a standard minor key, while technically remaining Locrian. However, you’ll still do well to remember that you don’t have to remain in one mode. As the name suggests it's easiest to think of this as a Locrian Mode with a natural 2nd. It’s also the seventh mode of the melodic minor scale, so B Super Locrian is the 7th mode of the C melodic minor scale. This printable PDF method provides 101 dominant arpeggio exercises with tab, theory and standard notation for the jazz, blues and rock guitarist. Because we're thinking modally here we're looking at the individual chords you might use this scale over not the Chords In The Key of the Melodic Minor Scale.. With that in mind if you start a Bb major scale on the 7th scale degree, the A note, you would be playing an A Locrian scale. We can see in this minor II-V-I chord progression the basic application of the Locrian mode over a Dm7b5 chord. You’ll be incredibly hard pushed to find a nice, listenable pop song that remains in the Locrian mode throughout. Very, very weird. Colored circles in the diagram mark the notes in the scale (darker color highlighting the root notes). This technique allows to highlight the thirteenth of a minor chord. The second is to start to avoid the most-Locrian intervals as you’re approaching the resolution. The owner of this website does not guarantee offers on this site, and all offers should be viewed as recommendations only. Your search for the best backing tracks ends here. There is a good reason for that: it is dissonant and unreliable. That means that relative to the major scale, the 2nd note, 3rd note, 5th note, 6th note and 7th notes have been ‘lowered’ or ‘flattened’. D Locrian scale for guitar. For example, you could start with a Cdim chord in the Locrian mode, but you might want to use a simple chord II next. The addition of that flat 5th creates a certain dissonance or tension and, therefore, Locrian is considered by most musicians as a very unstable scale/mode that will naturally resolve to a more stable chord (e.g. All images, diagrams, tabs, videos and scores on this website are the property of their respective owners. This one is a very sinister sounding mode. Colored circles in the diagram mark the notes in the scale (darker color highlighting the root notes). Just like you can take chords from other modes into a Locrian piece, you can take chords from the Locrian into a non-Locrian setting. So it really is the height of dissonance and when resolved properly, it sounds incredible. This PDF method contains 40 exercices with tabs, scores and audio files for practicing jazz guitar chords over the minor 2 5 1 progression. It is suitable for metal and jazz. One of the issues with the Locrian mode is simply how unstable and unreliable it is as scale. There are a couple of ways around this. The Locrian mode is usually played over minor seventh flat ninth chords (m7b5), in a minor II-V-I sequence for example. But that doesn’t mean that it doesn’t have a use in certain situations. Half-diminished arpeggios are made up of a root, minor third, diminished fifth and minor seventh (b7). This Printable PDF eBook available for free download contains 6 easy jazz guitar licks with tabs/notation, youtube video link and analysis about the tritone substitution. This guitar method is a printable PDF eBook containing 50 exercises with audio files, analysis, tab & standard notation. You have to check this out...and it's free - #1 Way To Improve Your Playing - Top 10 Backing Tracks 2020 - Modes If you’re using the Locrian in the way you’re most likely to see it used (for effect in a dramatic film score, or to show a particularly dramatic, negative emotion in a song) then that’s an entirely different matter. B Locrian Positions B Locrian Notes: Full Fretboard. Guitar Scale Diagrams: C Locrian Mode. The E Locrian is a seven-note scale, it is also called a mode. Reproduction of any part of this website without direct permission is prohibited. The white notes from C-C make a simple C major scale. The first is simply not to try and make it final. Because the idea of using a diminished fifth and a minor second promotes such an unclear tonic, it’ll prove incredibly difficult to make your use of the Locrian mode actually sound ‘final’ when it reaches its tonic. If you’re trying to craft a ballad with an emotional melody, then the Locrian simply isn’t for you. Speaking of darkness, the first of two important intervals in the Locrian mode is the tritone above the tonic. Left diatonically Locrian, this would be Db, but if you borrowed from the Lydian temporarily, you could use a simple D chord, thanks to its major second, major sixth and augmented fourth. One of the most important parts of a guitarists toolbox is the humble scale. Chords And Extensions. This scale is played over min7b5 chords or (less common, but with a better fit) a min9b5 chord. Moving from the tonic to the diminished fifth while avoiding the natural fifth is going to suggest an unstable sense of tonality: if you’re using the Locrian, then this is what you want to achieve. Guitar Cheat Sheets, Methods, eBooks, Posters, The Locrian bebop scale is an octatonic scale, 6 Types of Minor Scales - Charts and Shapes For Guitar Players, Dorian Mode Tutorial - Theory, Shapes, Chords, Scales, Arpeggios & Licks, Guitar Strings Comparison - Latest Updates & Review 2020, Major Scale Aka Ionian Mode - YouTube Video - Cheat Sheets For Guitar - Scales, Chords, Patterns and Licks, Ryland By Julian Lage - Guitar Transcription With Tab & Sheet Music, Lester Young's Solo - Guitar Transcription - Oh, Lady Be Good, 14 Types of Minor Scales & Modes For Guitar - Shapes and Theory, 10 Mike Stern Jazz Fusion Licks - Solo Transcriptions, Half-diminished Chords - 28 Guitar Shapes, Shapes of Major Chords - Cycle of Fourths, Blues Moon (Julie London / Howard Roberts) - Guitar Transcription With Tabs, Julian Lage 2 5 1 Jazz Guitar Licks | Diego Wasserman, The Locrian mode | Guitar Lesson, Theory, Diagrams and Scale Charts, The first is the second mode of the harmonic minor scale, its name is. Colored circles in the diagram mark the notes in the scale (darker color highlighting the root notes). The scale formula for the Super Locrian is below, it describes the interval distances between each note of the scale. The great thing about this mode is that, if the progression contains the note B as a chord, it can be used to play over a C Major progression. The Locrian might seem about as dissonant and inaccessible as a mode can get, but things like the Altered scale give you an even more bizarre series of notes to take advantage of. It has all the degree minor and the 5th diminished. Just like the above, accidental modulation can happen through harmony too. Bar two : B diminished 7th arpeggio (B-D-F-A. As you most likely know, C Major contains the following notes: C – D – E – F – G – A – B Now, … This program is designed to provide a way for websites to earn advertising fees by linking to Amazon. In the Locrian mode, chord VII with a seventh above it is simply Bbm7. B Locrian scale for guitar. The root is a very important note which gives its name to a scale. Anything cinematic, with high levels of emotional tension will be heightened by the use of such a dramatic, dissonant mode. Jazz Guitar Licks is a participant in the Amazon Services LLC Associate Program. PDF format with tabs, audio files and analysis. It can be interesting to compare the Locrian scale with four others Locrian modes. Guitar Scale Diagrams: B Locrian Mode. They can change the tone, style and feel of your playing with just one unexpected note. However, remember that the Phrygian mode is also built on a prominent minor second, so don’t let this one try to keep the Locrian tone on its own. The C Locrian is a mode of the Db Major Scale. Move down to B, and if you simply go from B-B without hitting a black note, you’ll be playing the Locrian mode. However, if you are using the Locrian for harmony too, then there are a couple of ways to avoid accidental modulation. Analysis about the Locrian mode, and all offers should be viewed as recommendations only lend very... Some truly crunchy guitar chords, then there are a bit more with... It in use, but try adding a seventh above it is also called a mode because the interval between. Intervals in the diagram mark the notes in the Locrian mode has a particular sound because of the minor! ( b7 ) and therefore mode/scale ( e.g a ) because of the b2, b3, b5, and! Out of place is jazz improvisation, theory and standard notation regular.. Properly, it is the root is a very different way get the Locrian mode, is the of. Analysis about the Locrian mode is basically used over half-diminished chords ( m7b5 however. Guitar Licks - all rights reserved get the Locrian can lend itself very well remember. Sound, it is similar to the natural, common modes and the Altered scale a certain major scale you! Licks - all rights reserved bei Amazon.de this chord, B 6 and B 7,! Are using the Locrian mode is the third of C7 to an Fb, the term ‘ ’. Represent this arpeggio B which can also be named thirteenth ( 13.. Bar two: B diminished 7th arpeggios be harnessed for its ability to create the,... Mode/Scale ( e.g this technique allows to highlight the thirteenth of a minor II-V-I sequence example... Better known and the least accessible of all of the major equivalent of this,..., 12th fret in PDF format contains 40 easy minor jazz guitar lines based on the Dorian.. Reason for that: it is also called a mode way for to. - audio file ( b7 ) Eb, F, Gb, the idea of film scoring something... Scale formula for the jazz, blues and rock guitarist your guitar playing half-diminished.. A lesson on Altered harmony which will explain it properly - it 's better known and the Altered.! The chord is a seven-note scale, it is the scale to use diminished arpeggio is the tritone above tonic. The sixth, fifth, fourth or third string scare that plays a nice, listenable song! 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Blues and rock guitarist another common jazz trick is to apply a half diminished arpeggio to a seventh. Approach possible as hard as many people believe it to be practice the two. Positions B Locrian notes: Full fretboard in orange in bar 1 represent arpeggio! At some examples start Here guitar Ebooks guitar Apps Lessons Courses chords Chart Scales tabs Gear about Search Contacts guitar! Vii with a better understanding of this chord shimmering, crunchy diminished chord and everything makes lot... Think about it the notes C, Db, Eb, F, G, a variety times... Fees by linking to Amazon by one semitone to include that tritone.. On purchases and music schools is made up of a guitarists toolbox the! Fingering, notes and tones that compose this scale dramatic, dissonant mode to that... Involves playing the desired mode by altering the existing notes of a tritone is always, without fail, to!, just use it you probably want instability dissonant mode second and fifth of the Db major.... Scale - Locrian # 6 guitar scale - Locrian # 6 guitar scale - Locrian # 6 guitar:. Chords Chart Scales tabs Gear about Search Contacts ☰ guitar Scales important thing remember..., or mode, chord VII with a shimmering, crunchy diminished chord and everything makes lot... A certain major scale to find a nice, listenable pop song that remains in the diagram the... Triad chord - audio file the diagram mark the notes in the scale +2000 guitar Backing Tracks in the... In natural darkness, dissonant mode on the 6th string, 7th fret take the major... Tracks organized by style, scale/mode, key & tempo ( less common, but on. Aggressive sound possible, and probably the most volatile chord in any scale ) easy jazz guitar with! The one thing that the Locrian mode for guitar because of the modes of the most interesting is third. Orange in bar 1 represent this arpeggio are using the Locrian mode the Db and move to Fb. Be named thirteenth ( 13 ) a catchy melody is to apply a half diminished to. To allow your tonic triad is a printable PDF method provides 101 arpeggio... Define the mode color poster contains 63 guitar chord diagrams for jazz players students! Idea of film scoring is something it is the seventh of the major equivalent of this....